| Abstract | Repertoari kinematografa u Zagrebu nakon Drugog svjetskog rata, od 1945. do 1950., implicitno daju uvid u stanje društva općenito kao i u odnos novog društva prema kinematografiji. U radu će se navesti popis svih filmova u zagrebačkim kinodvoranama u poslijeratnom razdoblju i razdoblju u kojemu su se dogodile velike političke promjene u zemlji. Od trenutka kad je formirana jedinstvena jugoslavenska vlada na čelu s Josipom Brozom Titom, 7. ožujka 1945. godine, nova država pokrenula je novi komunistički poredak, dok su istovremeno obnavljali politički, ekonomski i kulturni život. Država pokazuje veliki interes za razvoj filmske kinematografije te istovremeno ulaže u domaću filmsku proizvodnju. Svi su filmovi bili pod utjecajem ratnih prilika što će prikazati sami broj ratnih filmova. Nakon Drugog svjetskog rata najviše se puštaju sovjetski filmovi, no s vremenom broj sovjetskih filmova pada, a raste broj američkih i engleskih filmova koji su se uvozili sa zapada. Osim američkih i engleskih filmova, u Zagrebu se prikazuju švedski filmovi, danski, čehoslovački, španjolski, francuski, talijanski, finski i švicarski, kojih nije bilo puno, zatim poljski, njemački, austrijski te jugoslavenski filmovi. Usporedba 1945. i 1950. godine daje uvid kako se mijenjala struktura prikazanih filmova po godinama u pogledu nacionalnih kinematografija kojima pripadaju filmovi, u pogledu filmskih vrsta te u pogledu starosti filmova. U radu će se također prikazati na koje su sve načine građani bili obavješteni o rasporedu filmova te u kojim točno kinodvoranama. Krajnja tablica svih filmova detaljno će prikazati koji su se filmovi prikazivali u razdoblju od 1945. do 1950. godine u svim kinodvoranama u Zagrebu. Na taj se način dobiva uvid u filmsko prikazivalaštvo u razdoblju od 1945. do 1950. Osim krajnje makro tablice, u radu će se detaljno prikazati tablice nacionalnosti svih filmova koji su se prikazivali u zagrebačkim kinima, kao i tablice filmskih vrsta i filmova prema starosti proizvodnje. |
| Abstract (english) | The repertoires of cinemas in Zagreb after the World War II, from 1945 to 1950, implicitly provide insight into the state of society in general as well as into the relationship of the new society to cinematography. The paper will present all the films in Zagreb cinemas in the postwar period and the period in which major political changes took place in the country. From the moment a unified Yugoslav government was formed, headed by Josip Broz Tito, on March 7th, 1945, the new state launched a new communist order. At the same time they were renewing political, economic and cultural life. The state shows great interest in the development of film cinematography and at the same time invests in domestic film production. All the films were influenced by the war situation which is shown by the amount of war films at the time. After World War II, most Soviet films were released, but over time the number of Soviet films declined, and the number of American and English films imported from the West increased. In addition to American and English films, Zagreb is showing Swedish films, Danish, then Czechoslovak, Spanish, French, Italian, Finnish and Swiss, of which there were not many, then Polish, German, Austrian and Yugoslav films. A comparison of 1945 and 1950 provides insight into how the structure of screened films has changed over the years in terms of the national cinemas to which the films belong, in terms of film types and in terms of the age of the films. The paper will also show in which ways the citizens were informed about the schedule of films and in which cinemas they were playing. The final table of all films will show in detail which films were screened in the period from 1945 to 1950 in all cinemas in Zagreb. That way it is gained an insight into the film cinematography of that time. In addition to the master table, the paper will show in detail the tables of nationalities of all films that were shown in Zagreb cinemas, as well as film types and films according to the age of production. |
